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Group Profile
| Businesses | Litigation | Risk Factors
Financial Communication Policy and Value Creation
Vivendi, a global integrated industrial group in content and media, has implemented an integrated reporting pilot project to illustrate how promoting
cultural diversity, one of Vivendi’s strategic CSR issues, creates societal and financial value while preventing risks and opening up opportunities
to win markets.
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The Challenge
Vivendi exerts a human, cultural and intellectual influence on the lives of millions
of customers and citizens worldwide due to the activities of the Universal
Music Group, the world leader in music; the Canal+ Group, the leading French
audiovisual media group also active in French-speaking Africa as well as Poland
and Vietnam, and its subsidiary Studiocanal, which is a leading European player
in the production, acquisition, and international distribution and sales of films
and TV series. Vivendi has a societal responsibility to satisfy the curiosity of its
audiences on all continents, to reveal their talent, to help them achieve their full
potential, and to provide the necessary conditions for them to become open to
the world and exercise their critical spirit.
In addition, cultural diversity is at the heart of Vivendi’s businesses: music,
television and film. Providing rich, original content; signing new artists in
all categories; avoiding creative talent drain; meeting the expectations of
subscribers; making the group’s platforms attractive in a digital environment
where existing methods are being revolutionized – these are the goals being
pursued by our businesses as they strive to preserve their leading position in their
respective markets (please refer to diagram below).
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The Approach
As a first step, in 2013, Vivendi decided to take a pragmatic approach to this
initiative and to implement it initially on a limited basis at Universal Music
France, Canal+ in France, and Studiocanal. Led by Vivendi’s Corporate Social
Responsibility (CSR) department, this endeavor brought together the managers in
charge of Finance and Strategy of these three entities of the group and analysts
representing the investment community (Amundi, Groupama AM, and Oddo
Securities). Indicators establishing the link between investments in diversity of
content and returns were chosen then submitted to analysts for review (please
refer to diagram below).
The Chief Financial Officers of Vivendi’s businesses have welcomed and given
their full support to this approach and the analysts whose views were sought
believe it to be innovative, scalable and fully integrated into the strategy of
Vivendi, a key player in the media sector.
In 2014, the scope of the exercise was expanded to include an international
dimension in line with previous undertakings. The Management Board and
General Management supported the project by making it part of the integrated
management of the business (see previous double page).
Contribution to Value Creation of Investment in Diversity of Content (2014 figures)
CSR Issue
Financial Value
UNIVERSAL MUSIc GROUP
(excluding publishing)
CANAL + group
CANAL+
p
p
Survey of Canal+ subscribers: “Canal+ is a leading channel for films”: 84%
of subscribers agreed with this statement in 2014 (vs. 85% in 2013).
p
p
Canal+ Group investments in local African content in absolute value and
percentage terms: €3 million invested in African production (films, audiovisual
programs, Afrik’Art, A+ etc.) out of €29 million invested in programs broadcast
in Africa (excluding sporting rights), or 10%.
STUDIOCANAL
p
p
Investments in European works in absolute value and percentage terms:
€173 million or 79% (71% in 2013).
Societal Value
p
p
To promote cultural diversity in the content offering.
p
p
To invest in new talent and sign new artists.
p
p
To promote cultural heritage by exploiting an exceptional catalogue of content.
p
p
To encourage the group's audiences participation in cultural life,
a source of personal enrichment.
p
p
To facilitate increased access to knowledge and entertainment.
p
p
To foster mutual understanding, social ties and learning
to live together.
�
To increase revenues
�
To improve profitability
�
To enhance exposure of the brands
�
To create value
p
p
Amount of marketing investment dedicated to new talent
(1)
as a percentage of total
investment (scope: France): 28% (21% in 2013).
p
p
Average percentage of revenue generated by new talent (scope: top five countries in
terms of revenue: United States, Japan, United Kingdom, Germany and France): 14%.
p
p
Percentage of UMG physical sales generated by the catalogue
(2)
(scope: 59 countries): 27%.
p
p
Percentage of UMG digital sales generated by the catalogue
(2)
(scope: 59 countries): 49%.
p
p
Percentage of sales generated by local artists in their own country (scope: 59 countries):
60% (61% in 2013).
Universal Music Group’s investments drive musical creativity by identifying and
supporting new talent in all countries where the group operates. Mobilizing its
financial resources and its employees’ know-how in this way helps to increase
revenue while updating its listings to satisfy wide-ranging audience tastes on a global
scale. It also supports the attractiveness of local artists who are keen to be signed by
prestigious labels with an international sphere of influence. Finally, the investments
made to digitize the catalogue meet two requirements: an economic one, since the
revenue generated by digital sales is playing an increasingly important role in UMG’s
financial results, and a societal one, since the digitization of musical works that are
no longer accessible in physical form generates value from the asset represented by
UMG’s exceptional catalogue in all genres: pop, classical, jazz, rock and more. It also
presents an opportunity to share musical emotions across the generations.
(1) New talent is defined as artists releasing their first album.
(2) The catalogue lists works marketed for more than two years.
The fact that Canal+ is described as a “leading channel for films” by 84% of
subscribers establishes a direct relationship between the exclusive selection
of films shown by the channel and its level of customer satisfaction. Building
local capacity for content production in Africa is one of the Canal+ Group’s
ambitions and it aims to increase its market share on the continent by relying on
its experience in supporting the creativity of local artists and pooling the group’s
various areas of expertise. Studiocanal’s investments in European works is helping
to develop an offering that complements that of the major American studios on the
international market and is more suitable to its direct distribution areas, namely
France, Germany and the United Kingdom. Studiocanal is securing its pipeline by
helping to keep talented Europeans in Europe and achieves higher profitability than
the average of its competitors.
Source: Studiocanal
Source: Canal+
Integrated Reporting Pilot Project
Intangible Cultural Capital: the Impact of the Group’s Investment in Diversity of Content on Value Creation
Source: UMG
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Annual Report 2014