An Integrated Reporting Process Promoting Value Creation
Creating Value for Customers
Vivendi’s capacity to offer its customers original, quality content while at
the same time facilitating the options for enjoying it at will, is one of the
main sources of value creation for them. To satisfy this demand, the group
nurtures the curiosity and the diversity of its customers’ tastes, cultivates
their digital trust in a spirit of loyalty and transparency, welcomes their
creativity and ensures it protects and empowers its younger audience.
Diversity of artistic expression, pluralism of content and editorial innovation
are all criteria for satisfying customers 75% of whom feel that “Canal+ is
a channel that offers programs that you cannot see anywhere else” and
who, through their purchases, give Universal Music Group a better than 30%
share of the world’s music market.
This sharp difference characterizes the offers of Canal+ Group whether
this involves films, TV series or entertainment programs. The same is true
for the documentary channels that cover a diversity of themes and genres
(history, science, civilization, society, investigation, adventure, escape,
wildlife) and which, in 2015, offered 1,135 hours of programming to Canal+
subscribers. News is not to be outdone, as witnessed by the success of
Le Petit Journal
. This televised news program of the new generation, hosted
by young journalists, attracts new audiences who want to understand the
world’s current events and are interested in a national and international
news format that mixes humour, audacity and a taste for investigation. In
December 2015,
Le Petit Journal
reached its second best audience of the
season with 1,666,000 viewers.
Canalplay and myCanal broadcast this rich and original content package by
allowing subscribers to access thousands of films, complete series, digital
series, comedy and programming for a younger audience, at a time and
place of their choosing.
Committed to expanding its content on the Internet, in 2015, Canal+ created
a Digital Creation hub. This centre offers young talent in particular the
opportunity to expand their audience and benefit from assistance with
the production and promotion of short formats and original productions
developed specifically for the web. In Africa, in November 2015, Canal+
launched the MDR! (Mort de rire, or Dying of laughter) project in partnership
with CFI, the French media cooperation agency, to identify and train the
African talent of tomorrow to participate in the creation of new, short
comedy programs.
The diversity in the cultures of audiences is satisfied by the richness and the
variety of the Universal Music Group labels (which include Capital Music
Group, Island Records, Def Jam Recordings, Polydor, Blue Note Records,
Decca and Deutsche Grammophon). The digitization of UMG’s exceptional
catalog promotes heritage and encourages different generations to share
musical emotions. The artists signed by UMG in close to 60 countries
express themselves in 44 different languages. In 2015, the best UMG sales
were not only achieved by established international artists but also by new
musical discoveries and local artists.
UMG is increasing its initiatives for attracting talent in the countries where
the group has a presence. To this end, Abbey Road Studios in London, owned
by UMG, launched the Abbey Road Institute in 2015. Since September 2015,
this institute has offered a year of training aimed at students who will earn
a sound engineering and musical production diploma when they complete
their studies. In Africa, UMG partnered with the British director Richard
Curtis to organize a competition for young people to involve them in writing
the lyrics to the song “Tell Everybody” in connection with the campaign to
raise awareness of the new United Nations sustainable development goals.
Almost 6,000 young people sent their proposed lyrics via their mobile phone.
Vivendi’s strategic choice to bet on the growth opportunities offered by
digital technology must be supported by a rigorous policy concerning the
collection and management of personal data that preserves respect for
customers’ privacy. Vivendi has established instruments, such as the Data
and Content Protection Charter, adopted in 2008, or the best practice guide
concerning sensitive data. Vivendi takes care to verify that its partners
comply with the group’s values and rules of conduct in the countries where
the group has a presence. The protection and valuation of personal data are
the subject to certain reporting requirements based on precise indicators
by the subsidiaries of the company, which are then examined by the
Company’s Auditors. CSR (corporate social responsibility) criteria, associated
with this issue, are also included in the variable compensation of Vivendi
executives. This compliance creates value for the group’s customers, who
are increasingly better informed concerning the protection of their personal
data and more inclined to disclose aspects of their identity to companies
that have a clear and comprehensible policy.
Concerning this subject, special attention is paid to young audiences, with a
taste for musical, cinematographic or online video offers. At the request of
the CSR department, monitoring is conducted to obtain better knowledge of
the methods for processing the personal data of children and teenagers on
the web sites of the group’s subsidiaries offering media content intended for
this audience. This sustained vigilance makes it possible to anticipate the
measures for protecting minors included in the future European regulations
and to limit the potential reputation risks.
2.7. Creating Value for Customers
K E Y F I G U R E S *
REFERENCE CHANNEL
FOR FILMS FOR
86%
of subscribers
8
MILLION
“STREAMS”
EACH MONTH
CANAL+ GROUP:
RETENTION OF THE NF
CUSTOMER SERVICE
CERTIFICATION
*
Figures as of 12/31/2015.
Source: Canal+
Source: Canal+
(NF is the main French
quality mark certification
delivered by AFNOR)
Source: Canal+ Group
CANAL+ GROUP:
STREAMING OFFERS
PER SUBSCRIPTION
51%
OF UMG DIGITAL SALES
and 28% of UMG physical sales generated
by the catalog (works marketed for more
than two years)
44
NUMBER OF
LANGUAGES
sung by UMG artists
Source: UMG
Source: UMG
(scope of 59 countries)
EXTRA-FINANCIAL INDICATORS HANDBOOK
2015
15